The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The J-200’s graduated crown inlays are made of genuine mother of pearl, and everly guitar
are inserted into the fingerboard using a process that eliminates gaps. The fingerboard also sports a rolled edge—instead of the usual right angle where the fingerboard surface meets the neck, Gibson Acoustic’s rolled edge is slightly beveled for an extremely smooth and comfortable feel, enhancing the playability of the J-200 Standard.
Despite Gibson’s late start, the company’s flat-top designs came a long way in a relatively short time. Gibson had taken the easiest path to becoming a flat-top guitarmaker by simply putting a flat top on the body outline of the L-1, their lowest archtop model. It was a small-bodied guitar, only 131/2″ wide. The body shape was easily recognizable because, like all Gibson guitar models going back to Orville Gibson’s original creations, it had a circular lower-bout outline that did not flatten around the endpin. Gibson had actually tried a flat-top under its “Army-Navy” label at the end of World War I, but the L-1 of 1926 was the first regular-production model under the Gibson brand.
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